3-ACT Issue 3

3-ACT Issue 3

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The special feature of Issue 3 ACT-1 falls under the theme “Narratives: Lost and Found” which is a focus on the preservation and restoration of films in Myanmar. It highlights a detailed reported article on the Myanmar cinema legacy reflected from the film reels and the importance of the reflection of our society though film heritage. It digs through Myanmar films that had been lost and unknown in this modern day world to discover the narratives of the country.

Apart from these special articles, we continue to have our usual Myanmar films analysis. Under ACT-2 holds articles about the art direction of “Mie” film, an accounted diary of Asia Film Academy (AFA) and an exploration of sound design in films. Under ACT-3, we wrote about the directorial trait of Vietnamese Director Tran Anh Hung followed by an interview with him, continued to include the third part of film history (coming of sound and color) and explored other forms of cinematic languages.

Issue 3 ရဲ႕ Special Feature မွာ "တူးေဖာ္ရရွိေသာအတိတ္မွ ဇာတ္လမ္းမ်ား" ျဖစ္ပါတယ္။ ဒီက႑ေအာက္မွာ ႐ုပ္ရွင္ထိန္းသိမ္းျခင္းႏွင့္ ဒီဂ်စ္တယ္ကူးေျပာင္းျခင္းအေၾကာင္းကို ေဆြးေႏြးထားပါတယ္။ ဖလင္လိပ္ေတြမွတဆင့္ ျမန္မာ႐ုပ္ရွင္အေမြအႏွစ္ကိုတူးေဖာ္ထိမ္းသိမ္းႏိုင္ၿပီး ယခုခတ္မွာ ေပ်ာက္ဆံုးသတိထားျခင္းမခံရေသာ ႐ုပ္ရွင္မ်ားမွတဆင့္ ႏိုင္ငံရဲ႕ပံုရိပ္ကို ျပန္လည္တည္ေဆာက္ႏိုင္ျခင္းအေၾကာင္းေဆြးေႏြးထားပါတယ္။

ဒါ့အျပင္ ထံုးစံအတိုင္းျမန္မာ့႐ုပ္ရွင္ေတြကိုခြဲျခမ္းစိတ္ျဖာ ေဝဖန္ထားပါတယ္။ ACT-2 ေအာက္မွာေတာ့ မီ႐ုပ္ရွင္၏ အဝတ္အစားႏွင့္ဆက္တင္အျပင္အဆင္၊ Asia Film Academy (AFA) ကိုတတ္ေရာက္ခဲ့တဲ့ အေတြ႕အၾကံဳနဲ႔ Sound Design အႏုပညာကိုတင္ဆက္ထားပါတယ္။ ဆက္လက္ၿပီး ACT-3 ေအာက္မွာေတာ့ ဗီယက္နမ္ဒါ႐ိုက္တာ Tran Anh Hung ရဲ႕လကၡဏာကိုသံုးသပ္ထားၿပီး 3-ACT မွသူ႔ကို အင္တာဗ်ဴးထားေသာေဆာင္းပါး၊ ႐ုပ္ရွင္သမိုင္း (အသံနဲ႔အေရာင္ဝင္ေရာက္လာပံု) ႏွင့္ အျခားေသာ႐ုပ္ရွင္ဘာသာေရးဆိုင္ရာေဆာင္းပါးေတြပါဝင္ပါတယ္။